A CANNY PHOTOGRAPHER CAUGHT THE REMARKABLE MOMENT.
Schoffman accepting the Plume Puant from Shulamit Görög |
UPSTAGED EARLIER IN THE EVENING BY AN ENNOBLING ALBEIT LENGTHY HOMAGE TO THE CZECH PAINTER TAVIK TRAMPOTA, MY THIN-SKINNED COMRADE DAVID SCHOFFMAN WAS PREPARED FOR YET ANOTHER PROFESSIONAL ECLIPSE.
THE OCCASION WAS THE THIRTY-THIRD ANNUAL GRU RICKRACK FESTIVAL IN TIMISOARA. RICKRACK IS A VENUE FOR SOME OF THE MOST OFFBEAT WORKS OF CONTEMPORARY "ART" AND TENDS TO CAST ITSELF AS A SORT OF "ANTI VENICE BIENNALE." A TEDIOUS AWARDS CEREMONY MARKS THE CONCLUSION OF THE TWO-WEEK EVENT AND DAVID'S SHORT VIDEO LE FRISSON ABATTU WAS THE ODDS ON FAVORITE FOR LA PLUME PUANT.
THE BUZZ SURROUNDING THIS TRULY ORIGINAL WORK DID NOT PREVENT DAVID FROM EXERCISING HIS OVERRIDING PREDISPOSITION FOR PESSIMISTIC DEFEATISM. HE WAS CERTAIN THAT CLAUDINE ON BUSH STREET BY THE INIMITABLE FILMMAKING COLLECTIVE, POSSIBLE PICTURES WOULD CARRY THE DAY, DESPITE THE FACT THAT THEY WON THE PLUME FOUR TIMES WITHIN THE PAST SIX YEARS.
WHEN HIS NAME WAS ANNOUNCED HE WAS VISIBLY STIRRED AND GENUINELY STUNNED. SERBIAN PERFORMANCE ARTIST, SHULAMIT GOROG PRESENTED THE AWARD AND LATER DAVID CONFESSED THAT FOR YEARS HE ENJOYED LUMINOUS HALLUCINATIONS AND VIVID FANTASIES OF PLANTING A CORRUPTED KISS ON THE MILKY CHEEK OF THIS LOVELY AND TALENTED WOMAN.
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