Monday, June 20, 2011

FATE HOLDS NO PRIZE



MY GOOD FRIEND DAVID SCHOFFMAN AND I SHARE A DEAR MUTUAL FRIEND. ESSAYIST AND PHILOSOPHER, MARTA SONNETTO, HAS BEEN A CONSTANT PRESENCE IN BOTH OUR LIVES FOR MANY, MANY YEARS.

Portrait of Marta Sonnetto by Dahlia Danton, 2005
BORN IN SORRENTO IN 1939, SONNETTO INSCRUTABLY CLAIMED THAT SHE WAS NURSED ON LIMONCELLO AND LEARNED TO READ FROM A TATTERED, WATERLOGGED COPY OF  TASSO'S GERUSALEMME LIBERATA, THE ONLY BOOK HER PARENTS OWNED. HER MOST WIDELY READ WORK, THE 947  PAGE DISPERAZIONE O INDIGESTIONE, A THOROUGH THOUGH DEEPLY FLAWED CRITIQUE OF HER MENTOR, LEV SHESTOV, WAS ADAPTED INTO A POPULAR TELEVISION SERIES AND MADE SONNETTO A HOUSEHOLD NAME THROUGHOUT THE MEDITERRANEAN. DAVID AND I MET HER WHILE WE WERE STUDENTS AT THE UNIVERSITA DEGLI STUDI DI NAPOLI FEDERICO II. HER LEGENDARY THOUGH SPARSELY ATTENDED SPRING SEMINAR, ARRENDERSI CONTRO SFORZARSI, (PLAYFULLY REFERRED TO BY HER STUDENTS AS "CHE CAZZO E IL PUNTO") REMAINS A SOURCE OF GREAT INSPIRATION TO THE TWO OF US.

WHERE DAVID AND I DIFFER IS ON HOW BEST TO INTERPRET, OR INDEED, TO WHAT DEGREE TAKE SERIOUSLY SONNETTO'S ATTACHMENT TO THE NOTION OF INEVITABLE DESPAIR. DAVID CHANNELS HIS ANALYSIS THOUGH HIS WORK, SEEING HIS PAINTINGS AS A NECESSARY PALLIATIVE, AN ADAPTIVE CONSOLATION FOR THE INTELLIGENT RELINQUISHMENTS OF CONVENTIONAL FAITH.

I PREFER THE ANTIDOTAL BENEFITS OF BUPROPION, IMIPRAMINE AND AMITRIPTYLINE.

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