For some the ravelled sleeve of care fades like a dying animal as soon as the heads hits the pillow. Others toss in spasms of discomfort until the balm of black night lulls their consciousness into bewildered oblivion. For my good friend David Schoffman there is no tepid torpor that dims his active mind. For David sleep is just another form of work.
The clouds don't open nor do exquisite visions appear before him like necessary angels. He hears neither voices nor is he visited by the dead. What happens to David while he sleeps is the product of a disciplined meditation, a specific diet (beets and lentils in olive oil consumed slowly no less than three hours before retiring) and tight pajamas, especially around the armpits and groin.
What he hopes to induce with this unusual regimen are dreams frozen in pictorial frames that he can adapt in the studio upon awakening. This admittedly eccentric practice is one derived from the Hualapai Indians of northern Arizona where elders typically rely on sleep and peyote buttons the way we might depend on psychoanalysis to tap the chords of buried motivation. (Beets and lentils may not be as effective as peyote but David finds them safer and easier to digest).
On any given night, a few faded recollections lodge themselves like flinty bayonets into the stream of Schoffman's thoughts forcing him out of the bed to make a few quick sketches.
Dream Drawing #1877, watercolor and ink on paper, David Schoffman 1998 |
"I haven't slept a full night in thirty years," he told me the other day, concentric rings the color of bathroom mildew girdle his eyes as evidence.
I'm not sure if all this is worth the effort, after all, David isn't the first artist hoping to open the doors of perception in unconventional ways.
I suggested, years ago, that he dispense with his silly rituals and enjoy a couple of pieces of candy before going to bed. Both Orwell and Sainte-Beuve did this and they swore it helped their writing.
Another approach might be a nightly snifter of brandy and a couple of valium.
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