The first time my dear friend David Schoffman set foot in Garentoux he was horrified by what he saw.
Portrait of Pierre Bon-Humaine. David Schoffman, 2011 |
Founded in 1652 by the Frères de la Douleur in Villeneuve-le-Roi, the Garentoux asylum is known mostly for its famous former inmates including Émile-Jacques Partout, Latude Esquirol and the Marquis de Saint-Séploudt. The unconventional therapies that have made the hospital so controversial, have, if anything, become more irregular with time. Though the incidences of violence have decreased, the percentages of full rehabilitation have remained relatively low.
Chances are, if you enter Garentoux as a patient, you will remain interned for the rest of your life.
I have yet to make up my mind regarding the ethics of "Barjot," David's most recent exhibition. Comprised of 635 beautifully executed ink drawings, the show documents with chilling candor each and every inmate of the sanatorium. Writing in Revue Hebdomadaire Fiable, René Charcuterie called it a "scandale de premier ordre." He went on to excoriate André Quills, the director of the hospital, for allowing his patients to become a "spectacle for the prurient high-brow," (" un spectacle pour l'élite libidineux").
I, for one, am unmoved by this skittish propriety, My chief concern is that none of Schoffman's subjects received any monetary compensation for their services, a galling detail considering the fact that the show sold out before the opening!
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