The work of my dear colleague David Schoffman has been publicly rebuked by yet another member of the exalted art academy. No less an authority than the esteemed scholar, Dr. Chantalle Bograve, best known for her seminal work, Sacred Awe: The Fotzekunst Movement 1920 -1922, has appeared recently on television opining with her usual bluntness.
"Unruly obsession with meaningless detail," is how she summed up Schoffman's recent work. A fair assessment perhaps, but an unkind cut nonetheless. David has been laboring for the past ten years over a series of 100 paintings turgidly titled The Body Is His Book and to concede the points made by Professor Bograve would render Schoffman's life work a hopeless sham.
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