The impregnable bliss of drawing was the subject of a recent study conducted by the New England Conference of Cognitive Orthography. Though laborious and broadly infuriating to most artists, the assembled scientists concluded that the wreckage incurred from the gruesome task of rendering illusions two-dimensionally were abnormally though not unfavorably effecting electrolyte rhythms.
The panel of researchers wired six artists to a systole displacer in order to track the impulse vectors of the sinoatrial node. They found that the brain, though disdaining most pains rather welcomed the atypical discomforts accompanying drawing.
David Schoffman was one of the participating artists and chose as his subject the traditional practice of drawing the nude. Though his QT levels were consistent with the other artists, his augmented limb leads, based on the standard European hexaxial reference system, were way off the charts.
The scientists reached the conclusion that the drawing of the unclothed resulted in an “inarticulate pleasure” unique, singular and myocardially unquiet.
The panel of researchers wired six artists to a systole displacer in order to track the impulse vectors of the sinoatrial node. They found that the brain, though disdaining most pains rather welcomed the atypical discomforts accompanying drawing.
David Schoffman was one of the participating artists and chose as his subject the traditional practice of drawing the nude. Though his QT levels were consistent with the other artists, his augmented limb leads, based on the standard European hexaxial reference system, were way off the charts.
The scientists reached the conclusion that the drawing of the unclothed resulted in an “inarticulate pleasure” unique, singular and myocardially unquiet.
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